On this Day in History: November 15, 1969. The Moratorium March on Washington. A Million Reasons to End the War. . . Or So We Thought. 

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The First Time the Size of the Crowd on the DC Mall Really Mattered

On this day fifty years ago, the second phase of the hopeful Moratorium to End the War in Vietnam took place. Unlike the previous month’s event, it wasn’t a quiet series of strikes by students or others. It was to be a million marchers in Washington, D.C., right outside President Richard Nixon’s White House window. The portion of the divided country convinced it was time to stop this seemingly endless and pointless conflict was ebullient. We were confident that with numbers like these showing up, it would be impossible for the president to dismiss the will of the majority: the war had lost its objective; it was unwinnable; it was time to Bring the Troops Home NOW!

Like the first Moratorium that October, the march was to be inclusive of as many subsections of the country as possible—an unprecedentedly huge aggregate of voices all asking for the same thing. And, it was to be peaceful, to make a point without becoming who we were not, and without alienating those who’d like to join, but feared to in the shadow of the violence that began with the Democratic Convention in 1968. The Chicago Conspiracy Trial had just begun that September and was still going on. We were changing the image: There are so many of us; lots of us look like you; it’s safe to join us. You know we’re right.

We Had to Be There. And to Be Counted.

Young people were particularly activated and ended up comprising the majority of the marching crowd. The war affected them most, after all—they were the fuel for the new draft lottery, coming in just three weeks, that was to determine who would go to Vietnam at a time when that meant a death sentence.

College campuses, representing the largest concentration of draft-age men, mobilized. Across the country, buses and other transportation were arranged to bring flocks of students to the event. Preparations covered the scope of the guerilla marketing options of the day: posters were painted, banners made for display by marchers, armbands and pins created for every message out there, from the remaining vestiges of flower power, “War is hazardous for children and other living things,” to the clenched-fist yelp of the day, “Hell No, We Won’t Go.” 

We had to be there, somehow, we told ourselves. The numbers were important. A million marchers!  We had to be counted. That was the galvanizing cry—and so close to the December 1 lottery date that it was worth risking all. Like the main character in The Fourteenth of September, I was on a military scholarship, the only way I could afford to go to college. I was deep into plotting how to get out of it by this time, but I couldn’t risk losing it, which I surely would if I got caught traveling to Washington, thereby going AWOL (which I’d technically be, away from my “duty station” at school). But I felt certain this was a pivotal moment in history, and I had to be a part of it, or I’d never forgive myself.

And it was the most exciting thing to be happening so far in my teenage life: Genuine action, people from all over the country, a city I’d never been to. Above all, I was going to make a difference. It’s hard to describe how certain we were that we would be heard at last and that this would work. A million marchers!  We’d stop the war that was eating up our generation. It was easy, Kool-Aid, and I drank it down like so many others in the guilelessness of late adolescence. After all, we were right: people were dying without purpose; the war was bad; it had to end. Who could quibble with that?

Even my mid-size school, Northern Illinois University, was going to send three buses to Washington. It would cost $40 a head, which was stiff for students in those days. I got such a secret kick out of using my army pay to finance my rebellion. I couldn’t tell anyone, but I’d know. I made my plans. I left my army ID in the only locked drawer in my dorm desk, joined in making dozens of PB&J sandwiches for the bus ride, and set out to change the world.

Off on a Fateful Adventure with a Million Marchers

It was a long night’s drive, and we arrived late, after the famous “March Against Death” that took place the night before Saturday’s big event. Thousands of people had walked in single file down Pennsylvania Avenue to the White House, each carrying a placard with the name of a dead American soldier, presaging the eventual form of the Vietnam Veterans Memorial Wall. The placards were placed in coffins, and we saw them lying in front of the Capitol Building as our bus pulled into the city and dropped us off.

We hastily joined the other marchers, lined up for the main event. We jumped around to stay warm in the bone-chilling November cold, none of us dressed for the weather. We’d been more concerned about the message of the imitation fatigues we were wearing under our protest buttons—olive drab and khaki jackets we’d picked up at the army surplus store in our campus hometown. We wanted to look the part. We waited. . . and waited, only to be ultimately frustrated when city officials stopped the march on the stroke of the three-hour parade permit time limit, despite the thousands of us who had not yet put one foot in front of the other to make our involvement official.

We swallowed our disappointment and followed the crowd down the Mall, amazed at the sheer numbers of people, a moving swarm of protestors filling up every space between the white buildings we’d heretofore only seen in pictures or on television: the Capitol, the National Gallery of Art, and ahead of us the grand obelisk of The National Monument. We met people from all over, from pacifists to anarchists, but mostly just kids like us, totally psyched that we’d choked the streets and shut down the capital of the United States. Rumor was we’d pulled off the biggest protest ever. Of course, this would end the war. How could it not?

We were tired, hungry, and on the hunt for bathrooms but also riding high, eagerly joining in singing along with those ahead of us, who in turn were singing along with performers we knew were ahead of them but we couldn’t possibly see or hear ourselves—Peter, Paul and Mary, Arlo Guthrie, Country Joe and the Fish.

When we filed onto the buses after only six hours in the city and headed back to campus, we were exhausted but elated. We’d been counted, we were sure. The war would end. We gave them a million reasons why. This is what it was to be a responsible citizen. This is what it was to join the long tradition of activism in our country. This is what it was to be an American.

Read the excerpt about the day from The Fourteenth of September.

“Young Marchers Ask Rapid Withdrawal from Vietnam,” The New York Times

Media coverage and access to information was so slow back then. There were many “no-news” hours between boarding the buses and arriving back on campus, leaving us blind and deaf to the national reaction to the March.

By the time we returned, the newspapers were out, but the number was wrong— they were saying only 250,000 people had been in Washington. That number didn’t make sense if you’d been there. No one could imagine how they’d arrived at it. Someone suggested it was possible they’d only counted the ones who actually marched before the permit ended. It was the only reasonable explanation. Or was it an intentional plot—purposeful misinformation to show that though we boasted of having a majority we could only deliver a fraction of it?

And then there was the devastating caption that told us Nixon hadn’t been looking at a million marchers from his window. . . he had been watching a football game.

Dreams dashed.

“It Remains the Largest Political Rally in the Nation’s History,” Time Magazine

The numbers were revised with time to 500,000, but the damage had been done. We’d been so excited; I’d personally risked so much, and we were dismissed. To Nixon, we were a few thousand kids versus his great silent majority. His contempt for the concerns of our entire generation oozed over us. There were tens of thousands of faces who’d traveled from across the country over which he presided, beckoning for his attention in the freezing cold and he hadn’t even looked up from the television screen, or so he boasted.

We learned much later that this march had been historic, that it had had an impact, that it had been significant in the sequence of resistance that eventually led to the end of the war. In retrospect, we’d been an important part of the story of our country. Today, we smile and feel proud to read the fifty-year-old news accounts. 

But it sure didn’t feel like it at the time.

The war went on for another six years. Thousands more died. We felt the power we thought we had heading into the march begin to dissipate, sifting through our fingers. We were too young to know change was that hard, and would take that long. We thought we’d failed.

A few years later, that president, who finagled crowd numbers on the Mall, would become so cocky he’d push it to the point of breaking the law. He got his comeuppance with Watergate. 

We didn’t think it could ever happen again. We didn’t imagine we were in the first cycle of the hamster wheel of history.

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The First Anniversary of "The Fourteenth of September:" The 50th Anniversary of Everything That’s In It 🎂

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It’s been a year since the publication of my debut novel, The Fourteenth of September, and I can’t believe it either. To answer so many of your questions, yes, it has done well (outperforming the average independent book, I’m told) and continues to be of interest. It’s fulfilled all my hopes and dreams, and I’m humbly grateful for the wonderful year I’ve had due to the support of many of you. I intend to continue the ride as long as it lasts, however wild. This last quarter of 2019 alone is filled with the fiftieth anniversaries of so many of the seminal events of the time that are dramatized in the novel: the Chicago Conspiracy Trial, the first Moratorium Against the War, the March on Washington, the first Draft Lottery. Their commemoration shows us how the decades can seem very long ago, and yet as short as a heartbeat, with in-your-face reverberations today.

To be honest, everyone is right when they say publication is not for sissies. Though incredibly affirming and rewarding, it’s also been, in the favorite words of the colorful Joe Dragonette, “three yards and a cloud of dust.” To my surprise, the part that gets so many writers, the marketing, was often overwhelming even to my PR veteran self. But the biggest challenge was always that my topic was so fraught on so many levels. Me, being me, I just couldn’t begin with a simple starter novel with a few characters and a feel-good climax. And that made the hill I had to climb pretty high, though a few major things did finally break in my favor.

 Following is top-line some of what I learned during the year of the launch of The Fourteenth of September.

Vietnam is No Longer the Voldemort of Wars

read the first chapter which takes place September 14, 1969

read the first chapter which takes place September 14, 1969

Timing is everything, and there was a long period when I thought I’d totally blown mine for publication. The book took thirteen years to write (and that’s once I actually put fingers to computer) and I suffered through many questions about why I was writing about Vietnam—a subject no one cared about, I was told. It was the Voldemort of wars, as one of my book-launch salon participants put it: We lost, there were atrocities, and we treated our vets badly. Nothing anyone wants to revisit. And besides, it’s the past, not relevant for today. Why waste your time?

Fortunately,my au contraire moment was created by Ken Burns (The Vietnam War PBS), Steven Spielberg (The Post), the writers of This is Us, and other popular culture curators who reminded us at the fifty-year point after the war that it was time to look back, learn, and even—be still my heart—be entertained. In addition, with the interest in women’s issues and diversity, there was increased openness to new points of view. As a result, once I published, I became part of the zeitgeist. In fact, the New York Times recently pointed out that three of the current bestselling novels are also at least partially set in 1969, with Vietnam themes or plot points: Summer of ’69, Mrs. Everything, and Chances Are…, the latter of which is actually about three college buddies whose lottery numbers pretty much determined their lives.

Unfortunately, world events have lined up to show that if not examined, history will always repeat itself. So alas, counterintuitively, what’s uncomfortable for the country makes The Fourteenth of September more relevant than ever. It was chillingly familiar when Pete Buttigieg reminded us in the second Democratic Debate that wars are “very easy to start and very hard to end.” He was referring to Afghanistan, but the echo to Vietnam, that limped on five years after Kent State turned the country firmly against the war, was loud and clear.

It’s time to embrace the subject of the Vietnam War as we would any in history. Check out the article I wrote about this for Independent Publisher: “Five Reasons Why It’s Okay to Write about Vietnam Today.”

Vietnam Is Still a Tough Subject, but Not One to Shy Away From

—People actually do want to talk about Vietnam, given the opportunity. In over thirty events during the past year, I’d say, men, in general, are eager to share their particular stories—how they did or did not get out of the draft, the near-miss life-saving efforts of helpful doctors, the miracles of lost or destroyed draft documents. They also remember where they were on Lottery Night—in a bar, huddled around a TV in a dorm, in a pool hall—afraid to listen, feeling powerless, their destiny out of their hands. They shared stories personal and painful as if they’d been just waiting for an opening. They talked about what got them through—tales and talismans. The real-life model for the character of Wizard in my novel pulled the remnants of his draft card out of his wallet and reassembled them on a countertop to show me they never left him.

—Women are mixed. They usually don’t feel they have stories of their own and start with those of their men: fathers, uncles, husbands, sons, students, relatives relegated to the dark and never talked about. Once they “claim” their experiences, their stories are as compelling. One woman told me she’ll never forget picking up the paper on the front porch the morning after the second draft lottery to read that if she’d been one of her five brothers instead of a girl, she, too, would have the lowest lottery number and been off to Vietnam. Many were apologetic—they’d been focused on raising kids, or writing papers at college amid the chaos, or just keeping their heads down and their lives moving forward as the world was blowing up. One of the most telling comments was from a seventy-nine-year-old woman in Wisconsin who came up to me after a book club. “I got married young and didn’t go to college,” she said as if I’d judge. “My husband was on the road as a salesmen five days a week and I was overwhelmed raising three kids. I thought all the protesters were entitled rich kids, causing trouble.” She thanked me for showing her their perspective as she revised her own.

—Young people are very curious. Not so much Millennials, who find it hard to relate, but Xers and younger who say they want to hear more about a subject no one talks about or teaches. They haven’t heard about the Lottery and have a hard time believing that it happened as it did—like a game show on television. They instinctively feel that Vietnam is an important part of their history and that others have decided it’s not to be shared. They want to understand why.

It Still Hurts. Time Helps but Doesn’t Heal.

—Vets are still angry. Some violently so. Several of the comments to my Facebook Ads were pretty hot, by vets viscerally reacting to nothing more than the photo of a protest sign and the name of a female author. I tried to engage with a few to tell them the book wasn’t anti-vet, and one did respond, thanking me. But I had to pull back on my audience target, realizing I was pouring kerosene on a wound that was still open.

—Vets are still profoundly hurt about how the war was conducted and how they were treated. Callers-in on radio shows spoke primarily about that. They were anxious to share. I was willing to listen. My attempts to donate some proceeds to The Wall or Vietnam Vet organizations were mysteriously rebuffed. One sympathetic man finally told me it was too much of a reach. The Vietnam Vets were focused on supporting vets of subsequent wars, so they wouldn’t be treated poorly like they had been. When I brought book copies as giveaways to my high school reunion, I had to start by saying the book was anti-war for that war at that time—not anti-vet.

When my publicist emailed with a link to a review of The Fourteenth of September in The Veteran I held my breath. To her, this had been an obvious media target, but I knew better. Now, I’m more proud of this than any other I’ve received:

Few books have taken the time—and space—to examine so thoroughly the collegiate antiwar movement in small-town America. The story held my interest and reminded me of what was going on in Pullman, Washington, around the same time. The tone rang true in every line.

I was interested in the impact that the draft lottery and its rippling effects had on a generation heavily influenced by the chance uncertainty the lottery had on hundreds of thousands of young people. I had barely paid attention to the lottery because I was one of the young men drafted before it was instituted.

This novel opened my eyes to issues that my thick skin and my age had protected me from. We are admonished to read this book and weep, and I actually did shed a tear or two of sympathy.

If you’re like me, after you read this well-written novel, it will be difficult to put it out of your mind.

We Can Still Be Surprised by the Past

In one of my book-launch salons, I met Pam Tarr, daughter of General Curtis Tarr, who was the much-maligned “inventor” of the modern draft lottery. I didn’t know her history but had been warned she’d attend and I should be prepared for tough questioning. That didn’t happen. She was open and sympathetic to the story of characters protesting what had been her father’s program. Later, she told me about how the objective had been laudable—to come up with a uniform, fair program versus the uneven and “bribable” local draft boards than in place. Her father and her family had been vilified and taunted. She told a story of how President Nixon had urged her to be brave. Her best friends were the daughters of Ehrlichman and Haldeman. It had been a hard adolescence and she felt it hadn’t been fair to her family. And, of course, she was right. War does so much unseen damage to so many unappreciated victims. Many of the overlooked are women and girls. I’m hoping she and I will be willing to work together on this story at some point.

Historical Fiction Is a Pathway to Understanding

I’ve always felt that we learn our history through facts and nonfiction, but we understand our history through narrative—where we can actually feel ourselves in the shoes of a character we can relate to and wonder what we would have done. Then, we can begin to know what it was like to weigh the stakes and dangers against the valor and objective, and consider what it was like to live in another time: to make a fateful decision in the narrow vision of a single person’s experience of the past without benefit of the panoramic reevaluation of the present.

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Historical fiction typically takes place at least fifty years in the past. The Vietnam War, as a subject, is now just squeezing into that category by its chin hairs. It’s complicated. Living people bring the lens of their authentic, yet specific involvement to the story. Some feel that unless they had their own experience of Vietnam this story wouldn’t be relevant. This story is only for a Boomer audience of a specific age, in this micro-targeted world. Right? 

And yet, we openly welcome stories of topics of which we have no living experience—the French Resistance, German prison camps, home-front US—in stories like The Lilac Girls, All the Light We Cannot See, The Beantown Girls, The Lost Girls of Paris. Members of book clubs press novels on me about other wars they see as parallel and relevant. People send books, poems: Pandora’s box has been opened. Vietnam is as relevant as today, as nostalgic and fascinating as the yesterday of World War II and all the history that’s gone before. The stories the War has to tell are compelling, gut-wrenching, instructive, revelatory, and

. . . entertaining. The Fourteenth of September, for example, is full of the sex, drugs, and rock and roll of the time. It’s impossible to write about 1969-1970 without being a bit uncomfortable, yes, but also with singing and celebrating.

It’s time to open ourselves to the narrative. Over the next few months, as we commemorate the pivotal events of fifty years ago, this blog will utilize The Fourteenth of September as a lens to allow you to experience this chaotic and prescient time from the perspective of the nineteen-year-old you once have been, will be or still are. And, to consider what you would have done then, and may yet need to do, again in the near future.