On this Day in History: November 15, 1969. The Moratorium March on Washington. A Million Reasons to End the War. . . Or So We Thought. 

The First Time the Size of the Crowd on the DC Mall Really Mattered

On this day fifty years ago, the second phase of the hopeful Moratorium to End the War in Vietnam took place. Unlike the previous month’s event, it wasn’t a quiet series of strikes by students or others. It was to be a million marchers in Washington, D.C., right outside President Richard Nixon’s White House window. The portion of the divided country convinced it was time to stop this seemingly endless and pointless conflict was ebullient. We were confident that with numbers like these showing up, it would be impossible for the president to dismiss the will of the majority: the war had lost its objective; it was unwinnable; it was time to Bring the Troops Home NOW!

Like the first Moratorium that October, the march was to be inclusive of as many subsections of the country as possible—an unprecedentedly huge aggregate of voices all asking for the same thing. And, it was to be peaceful, to make a point without becoming who we were not, and without alienating those who’d like to join, but feared to in the shadow of the violence that began with the Democratic Convention in 1968. The Chicago Conspiracy Trial had just begun that September and was still going on. We were changing the image: There are so many of us; lots of us look like you; it’s safe to join us. You know we’re right.

We Had to Be There. And to Be Counted.

Young people were particularly activated and ended up comprising the majority of the marching crowd. The war affected them most, after all—they were the fuel for the new draft lottery, coming in just three weeks, that was to determine who would go to Vietnam at a time when that meant a death sentence.

College campuses, representing the largest concentration of draft-age men, mobilized. Across the country, buses and other transportation were arranged to bring flocks of students to the event. Preparations covered the scope of the guerilla marketing options of the day: posters were painted, banners made for display by marchers, armbands and pins created for every message out there, from the remaining vestiges of flower power, “War is hazardous for children and other living things,” to the clenched-fist yelp of the day, “Hell No, We Won’t Go.” 

We had to be there, somehow, we told ourselves. The numbers were important. A million marchers!  We had to be counted. That was the galvanizing cry—and so close to the December 1 lottery date that it was worth risking all. Like the main character in The Fourteenth of September, I was on a military scholarship, the only way I could afford to go to college. I was deep into plotting how to get out of it by this time, but I couldn’t risk losing it, which I surely would if I got caught traveling to Washington, thereby going AWOL (which I’d technically be, away from my “duty station” at school). But I felt certain this was a pivotal moment in history, and I had to be a part of it, or I’d never forgive myself.

And it was the most exciting thing to be happening so far in my teenage life: Genuine action, people from all over the country, a city I’d never been to. Above all, I was going to make a difference. It’s hard to describe how certain we were that we would be heard at last and that this would work. A million marchers!  We’d stop the war that was eating up our generation. It was easy, Kool-Aid, and I drank it down like so many others in the guilelessness of late adolescence. After all, we were right: people were dying without purpose; the war was bad; it had to end. Who could quibble with that?

Even my mid-size school, Northern Illinois University, was going to send three buses to Washington. It would cost $40 a head, which was stiff for students in those days. I got such a secret kick out of using my army pay to finance my rebellion. I couldn’t tell anyone, but I’d know. I made my plans. I left my army ID in the only locked drawer in my dorm desk, joined in making dozens of PB&J sandwiches for the bus ride, and set out to change the world.

Off on a Fateful Adventure with a Million Marchers

It was a long night’s drive, and we arrived late, after the famous “March Against Death” that took place the night before Saturday’s big event. Thousands of people had walked in single file down Pennsylvania Avenue to the White House, each carrying a placard with the name of a dead American soldier, presaging the eventual form of the Vietnam Veterans Memorial Wall. The placards were placed in coffins, and we saw them lying in front of the Capitol Building as our bus pulled into the city and dropped us off.

We hastily joined the other marchers, lined up for the main event. We jumped around to stay warm in the bone-chilling November cold, none of us dressed for the weather. We’d been more concerned about the message of the imitation fatigues we were wearing under our protest buttons—olive drab and khaki jackets we’d picked up at the army surplus store in our campus hometown. We wanted to look the part. We waited. . . and waited, only to be ultimately frustrated when city officials stopped the march on the stroke of the three-hour parade permit time limit, despite the thousands of us who had not yet put one foot in front of the other to make our involvement official.

We swallowed our disappointment and followed the crowd down the Mall, amazed at the sheer numbers of people, a moving swarm of protestors filling up every space between the white buildings we’d heretofore only seen in pictures or on television: the Capitol, the National Gallery of Art, and ahead of us the grand obelisk of The National Monument. We met people from all over, from pacifists to anarchists, but mostly just kids like us, totally psyched that we’d choked the streets and shut down the capital of the United States. Rumor was we’d pulled off the biggest protest ever. Of course, this would end the war. How could it not?

We were tired, hungry, and on the hunt for bathrooms but also riding high, eagerly joining in singing along with those ahead of us, who in turn were singing along with performers we knew were ahead of them but we couldn’t possibly see or hear ourselves—Peter, Paul and Mary, Arlo Guthrie, Country Joe and the Fish.

When we filed onto the buses after only six hours in the city and headed back to campus, we were exhausted but elated. We’d been counted, we were sure. The war would end. We gave them a million reasons why. This is what it was to be a responsible citizen. This is what it was to join the long tradition of activism in our country. This is what it was to be an American.

Read the excerpt about the day from The Fourteenth of September.

“Young Marchers Ask Rapid Withdrawal from Vietnam,” The New York Times

Media coverage and access to information was so slow back then. There were many “no-news” hours between boarding the buses and arriving back on campus, leaving us blind and deaf to the national reaction to the March.

By the time we returned, the newspapers were out, but the number was wrong— they were saying only 250,000 people had been in Washington. That number didn’t make sense if you’d been there. No one could imagine how they’d arrived at it. Someone suggested it was possible they’d only counted the ones who actually marched before the permit ended. It was the only reasonable explanation. Or was it an intentional plot—purposeful misinformation to show that though we boasted of having a majority we could only deliver a fraction of it?

And then there was the devastating caption that told us Nixon hadn’t been looking at a million marchers from his window. . . he had been watching a football game.

Dreams dashed.

“It Remains the Largest Political Rally in the Nation’s History,” Time Magazine

The numbers were revised with time to 500,000, but the damage had been done. We’d been so excited; I’d personally risked so much, and we were dismissed. To Nixon, we were a few thousand kids versus his great silent majority. His contempt for the concerns of our entire generation oozed over us. There were tens of thousands of faces who’d traveled from across the country over which he presided, beckoning for his attention in the freezing cold and he hadn’t even looked up from the television screen, or so he boasted.

We learned much later that this march had been historic, that it had had an impact, that it had been significant in the sequence of resistance that eventually led to the end of the war. In retrospect, we’d been an important part of the story of our country. Today, we smile and feel proud to read the fifty-year-old news accounts. 

But it sure didn’t feel like it at the time.

The war went on for another six years. Thousands more died. We felt the power we thought we had heading into the march begin to dissipate, sifting through our fingers. We were too young to know change was that hard, and would take that long. We thought we’d failed.

A few years later, that president, who finagled crowd numbers on the Mall, would become so cocky he’d push it to the point of breaking the law. He got his comeuppance with Watergate. 

We didn’t think it could ever happen again. We didn’t imagine we were in the first cycle of the hamster wheel of history.


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December 1, 1969: A Date Which Will Live in Irony

First birth date being selected in the First Vietnam Draft Lottery

First birth date being selected in the First Vietnam Draft Lottery

Forty-nine years ago tomorrow was the date of the first Vietnam Draft Lottery, the day the phrase “to win the lottery” became, not a prize, but a death sentence. It was also a marker for a generation not unlike December 7, 1941, the date of the Pearl Harbor attack, characterized by then president, Franklin D. Roosevelt, as a “Date Which Will Live in Infamy,” a phrase which itself featured an ironic word referring to the dark side of famous. Perhaps that’s what war does to us? Keeps us mired in subtext, unable to talk straight.

I named my debut novel The Fourteenth of September, the birth date of the Number One lottery “winner” drawn on 12/1/69—straightforward, and crystal clear. All irony upfront and intended.


When Your Birthday Became Your Destiny

CLICK TO SEE VIDEO CLIP OF ACTUAL LOTTERY DRAWING ON 12/1/1969

It was the day a new program was implemented to determine the order of the draft-age men who would go to Vietnam at a time when the life expectancy under fire could be as low as six seconds. Pieces of paper with each of the 365 days of the year were placed into individual plastic capsules, mixed together in a giant container and pulled out, one by one. If your birthday was the first date pulled, you were Number One, and so on. If your number was 100 or under, you were most likely a dead man walking, on your way Vietnam. If your number was 300 or higher, you were considered safe, and could feel free to “live your life as you’d planned,” and also, according to President Nixon, stop protesting the war, which was the whole point. If you were in the 200s, you were in limbo. The new system would be “fair,” they said. And, in fact, the definition of a lottery is “an event with an outcome governed by chance.” And chance is always fair, right? Just like destiny.

But it’s also something you can’t hide or protect yourself from. All you could do was hold your breath and pray as you waited to hear your birthday, a date once so joyous, to be called in fateful order. You’d never think of it the same way again.

A Real-Life Horror Story

Click to read Shirley Jackson’s “The Lottery”

Click to read Shirley Jackson’s “The Lottery”

I’d already learned not to trust the word lottery. The first horror story I’d ever read was “The Lottery,” Shirley Jackson’s Twilight Zone-like story of a drawing where the “winner” is stoned to death. It was magnificent and terrifying. I read it in school, as so many of us did. The New Yorker just ran it again for Halloween and I shared it, netting an angry comment from a Facebook friend who’d had the wits scared out of her by being forced to read it in sixth grade by a teacher she still can’t forgive.

That’s how I’ve always felt about the actual Draft Lottery. It scattered our wits to smithereens. And, though people with high numbers felt they were “lucky,” and if pressed you’d had to concede it was “fair,” no one thought it was humane. Even today, it’s still impossible to forgive.

All those capsules with “winning” birth dates, mixed up really good, chosen, opened, and pinned in order to a bulletin board. Seriously? Regardless of how it worked out in the end, on December 1, 1969, the Draft Lottery presented as a sick game show to determine who would die first—and on television! This was a formal government program being administered as a spectacle. Not quite Wheel of Fortune, but right up there. Hunger Games without the panache. How had this already surreal war come to this? I was astonished at the time, wondering if Jackson would demand royalties for having her concept usurped by the military. The last line of “The Lottery,” sums it up best. “It isn’t fair, it isn’t right.”

The Stories We Still Carry

milo ventimiglia in Vietnam Arc of NBC's This is us

milo ventimiglia in Vietnam Arc of NBC's This is us

During this fall’s launch of my novel, which coincides with the time frame of the build up to first Draft Lottery, I’ve had many audience members share their lottery numbers, or those of their fathers or other relatives. I get emails with only a number in the subject line: 151…263…319… and from a surprising number of people who were born on September 14. Those of the time still want to share their stories of chance won or lost, survivor guilt, close calls, friendly doctors, fortunate injuries, mixed-up records, turning the upper age limit of 26 just in time, being thankful for once in their lives for being too short, too tall, too fat, too thin. All are touching, surprising, different. Many comments are about the generation gap between patriotic WWII parents and Vietnam-era children, who knew this war was very different but not how to articulate it to be understood by mom and dad. Some are terrible: a friend called his father with his 300+ number and instead of rejoicing was told he should now be a man and enlist. Some are wonderful: a business leader’s father told him later in life that he’d had it all planned that if his son was drafted, the entire family would move with him to Canada.

Those of one generation want to share; those of another have questions. Younger audience members are curious. They want to know the details; they can’t believe the details. They can’t believe no one talks about this. Lots of them saw the lottery episode on The NBC television program This Is Us back in October. The show is in a story arc where a son is seeking to learn about his father’s experiences in Vietnam so he can better understand himself and the dynamics of his own family. That’s it in a nutshell—why it’s important to remember and understand history. It teaches us, if we confront it unafraid, for the lessons it holds. It also shows us we still don’t have the answers we didn’t have back then.

The Stories We Have Yet to Tell

The story I tell in The Fourteenth of September is a rare female point-of-view of that time, specifically of women on college campuses. There, the largest concentration of draft-age men in the country were their classmates—frantic and furious—waiting for their lottery numbers, and for the long war to end before they graduated or flunked out and their numbers would kick in.

Lottery Night from a women's POV, as read by the author 10/4/2018

I spent December 1, 1969 being nudged out of the communal television room in my dorm. The Lottery drawing would be telecast that evening. The room was small with limited seating. No room for the girls who’d gathered there for support. We couldn’t possibly understand what the guys were going through, or so we’d been repeatedly told. That wasn’t fair either.

I vividly remember the day I came up with the idea for the female protagonist of my novel to have the same birthday as the Number One. Read the chapter here. I’d long been seeking a dilemma for my main character that would be as emotionally intense as what the men of the time were going through—a way to exemplify how deeply, and equally, women were involved, not because their lives were on the line like the men, but because their generation was on the line. We were all “in it” together, side by side.

I don’t recall the sequence of events that led to the aha! moment, but I do remember thinking the title idea was good. I had dinner with a friend that night and told her. The shudder that went through her was all I needed to see. That shudder is what I want every reader to feel. That with the flip of the chromosome coin, anyone could be Number One. On December 1, 1969, we were all Number One.

But that’s still only one story of women of the time. At a recent book event I met the daughter of Curtis Tarr, the government official charged with revamping the selective service system which, until it became the Draft Lottery, had been insufficiently random. Tarr had been vilified during the day, the target of many of the people I wrote about in The Fourteenth of September. She remembers suffering through it as a teenager, about it being unfair. There are so many stories we’ve been afraid to tell.

The Fourteen of September is one; perhaps hers will be next.

The Lessons of the Lottery: It’s Time for Another Coming of Conscience

In a famous Star Trek episode, the population of a planet in a future world took pride in the fact that they’d eliminated war. Instead, after times of political conflict when war would be inevitable, it was instead simulated by computer. After, individuals identified as those who would have been casualties had the war been “real”—would get notices to report to extermination centers, where they would obediently submit to painless and efficient deaths. They were so proud they’d come up with such a civilized way to conduct war without damage to their fine cities.

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Throw birth dates into a container, draw lots from a box, computerize casualties, create volunteer armies of those with few other opportunities. Civilized? You’d think we’d have figured it out by now.

War may be pointless, as the Ken Burns documentary The Vietnam War illustrated so well, but it’s apparently also irresistible, as evidenced by the rapidly multiplying hot spots around the globe. It’s also ever random. Anyone can be in it. With a blink of an eye, one less chromosome, or an emotional tweet, we—or someone we love—can become a soldier deployed to a war zone, a refugee fleeing civil strife in Syria or gang wars in Honduras, or their mothers facing loss. All of us casualties of chance.

How we choose to confront war/conflict shows who we are—our character, our conscience. Do we unite or separate? Sacrifice our young or disadvantaged, or find a better way? Chance is the lottery of life. As long as someone is in a war, we’re all in it.

The subtitle of The Fourteenth of September is “A Coming of Conscience Novel.” It’s about the development of character. My female protagonist’s journey of self-discovery mirrors what the country was debating at the time. Who are we if we stay in Vietnam? What are we if we leave?

On this anniversary day of the Vietnam Draft Lottery, the country is in another Coming of Conscience moment. We’re again fighting for our character, on many fronts. What do we stand for today? What are we to be relied upon for and by whom? When does integrity trump consequences? We’ve come full circle in the hamster wheel of history. How ironic.

Back on December 1, 1969, I’d never considered what my own number would have been had chance dictated I’d been born a boy. I looked it up as I was considering the title for my novel, hoping it would be a single digit, for optimum dramatic effect. I was born on November 4. I would have been #266…

I would have been in limbo…

With no more control over my life than a Central American mother fleeing certain death for her children, a poor inner city kid who enlisted for college money stationed in the Middle East, or a war orphan in Yemen.

 

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